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ttm studies 08

by evala

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      ¥1,500 JPY

     

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avr.ca54/154 03:09
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shift 01:48
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ikg69 02:01
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dzpls0 01:40
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dzpls1logi 03:41
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dzpls2logi 02:19
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blink 03:43
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air.drain 02:57
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air.drip 03:22
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air.leak 06:29
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bin.ca60/102 02:05
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cut.hphp 05:14
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cut.float 01:55
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bin.ca195 02:31
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about

This album is based on the recordings of the "ATAK NIGHT4" tour of Europe, Japan and several other Asian countries in early 2009, and was eventually completed in Tokyo at the end of the year. The unprecedented sound such as "structured timbre", which was realized by an application of the complex systems theory, *"The Third Term Music project", is skillfully composed by evala with his acute sense of hearing and accurate technique, as to reveal both mechanical and organic rhythmic sounds. "ttm studies 08" finds a sound artist repeatedly exploring those multiple time evolutions as "the pattern of momentary moving sound" by cellular automata and logistic map, or the co-evolution dynamics of tape and machine in "the pattern of open-end sound development." The result is a full driving, drastic crossover of texture and groove.
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2009年初旬よりヨーロッパ、アジア数カ国から日本にわたる「ATAK NIGHT4」ツアーに際してレコーディングされ、2009年下旬に東京にて最終完成した本作。複雑系理論を応用した *第三項音楽プロジェクトによって実現可能となった「構造を持った音色」という今までになかった音を、evalaの卓越した聴力と技術精度、細部に対する洞察力によって巧みにコンポジションされ、メカニカルかつ有機的なリズムサウンドを掘り起こしてみせている。セルオートマトンやロジスティック写像による 「瞬間に動きのある音のパターン」あるいはテープとマシンの共進化ダイナミクス「オープンエンドな音の発展パターン」それらの多様な時間発展に対して、ひとりのサウンドアーティストが探求を繰り返し提示した本作は、テクスチャーとグルーヴがドラスティックに交錯する、ドライブ感あふれる作品となっている。

credits

released March 3, 2010

All sounds by evala, generated with ttm_gui.app 2008
Edited by evala at port 2008-2009
Mixed by evala & kimken at kimken studio 2009
Mastered by kimken at kimken studio 2009
Artwork Designed by port, supported by GRAPH

license

all rights reserved

tags

about

evala Tokyo, Japan

Sound artist, Musician.
Has been creating edgy works of electronic music, and exploring music experience with the use of 3D sound system as new instruments. He shows the spatial and immersive music experience by his original project "See by Your Ears,” which suggests how sound particles bounce and billow in a completely dark space. ... more

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